Musical Parameters 10 Words to Describe Music Musical Parameters Music can be very inconceivable and hard to describe thanks to its almost magical nature.
Musical parameters Owen bases his list on the qualities of sound: Most definitions of music include a reference to sound Google.
A parameter is any element that can be manipulated composed separately from other elements or focused on separately in an educational context.
Meyer compares distinguishing parameters within a culture by their different constraints to distinguishing independent parameters within music, such as melody, harmony, timbre, "etc.
The first person to apply the term parameter to music may have been Joseph Schillingerthough its relative popularity may be due to Werner Meyer-Eppler Grant62n Gradation is gradual change within one parameter, or an overlapping of two blocks of sound. Meyer gives melody, rhythm, timbre, harmony, "and the like" Meyer9while Narmour lists, melody, harmony, rhythm, dynamics, tessitura, timbre, tempo, meter, texture, "and perhaps others" Narmour According to McClellan, two things should be considered, the quality or state of an element and its change over time McClellan Merriam32—33 proposed a theoretical research model that assumes three aspects are always present in musical activity: Virgil Thomsonvii lists the "raw materials" of music in order of their supposed discovery: Near the end of the twentieth century music scholarship began to give more attention to social and physical elements of music Moran Definition of music[ edit ] Main article: Definition of music Does the definition of music determine its aspects, or does the combination of certain aspects determine the definition of music?
For example, intensional definitions list aspects or elements that make up their subject.
Some definitions refer to music as a score, or a composition Dictionary. The process of reading musicat least for trained musicians, involves a process, called "inner hearing" or "audiation" by Gordon, where the music is heard in the mind as if it were being played Gordon This suggests that while sound is often considered a required aspect of music, it may not be.
Jean Molino43 points out that "any element belonging to the total musical fact can be isolated, or taken as a strategic variable of musical production. In this example sound, a common element, is excluded, while gesture, a less common element, is given primacy.
However Nattiez goes on to say that despite special cases where sound is not immediately obvious because it is heard in the mind: Universal aspect[ edit ] There is disagreement about whether some aspects of music are universalas well as whether the concept of music is universal.
This debate often hinges on definitions.
For instance, the fairly common assertion that "tonality" is a universal of all music may necessarily require an expansive definition of tonality. A pulse is sometimes taken as a universal, yet there exist solo vocal and instrumental genres with free and improvisational rhythms no regular pulse Johnson62one example being the alap section of an Indian classical music performance.
Harwood questions whether a "cross-cultural musical universal" may be found in the music or in the making of music, including performance, hearing, conception, and education Harwoodmusical parameters In other words, he could define a section of music based on several musical parameters and associated probability functions He could then use those functions to generate data for the respective aspect of the piece He called his algorithmic music Stochastic Music And he applied stochastics in pieces such as Achoripsis But most.
Dec 17, · Best Answer: There are numerous paramaters in a musical composition, so it really depends on the context / focus / purpose of the listening exercise. In the Acosean Model (of music theory), Sound A can differ from Sound B in 4 paramaters, namely pitch, volume, duration and quality.
Pitch itself is the Status: Resolved.
The term "Jewish folk songs" embraces a vast array of songs across the diverse regions and languages of the Jewish homeland and diaspora, dealing with all aspects of . musical parameters In other words, he could define a section of music based on several musical parameters and associated probability functions He could then use those functions to generate data for the respective aspect of the piece He called his algorithmic music Stochastic Music And he applied stochastics in pieces such as Achoripsis But .
The Parameters, Havertown, Pennsylvania. likes. The Parameters are Kevin Haindl on Drums, Bri Guy Kelly on Bass and Matt Lyons on Guitar. Formed in. structure; music as architecture in space and time; musical similarity leads to symmetry large-scale repetition and contrast diagrammed as rhyme scheme, e.g.
'ABA' represents a form which returns to the opening phrase before closing (also .